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Barbara Brennan, an astrophysicist turned healer, introduces the "Three Ts" for spiritual /personal growth, from self-awareness to profound spiritual renewal.
Transformation: Awakening to and addressing inherited patterns and conditioning.
Transcendence: Moving beyond the limitations of old patterns and beliefs.
Transfiguration: The culmination of growth, where transformation and transcendence integrate into a profound alchemical change.
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I liken the definition of “holy” to an arc of personal/spiritual growth.
ho·ly
/ˈhōlē/
Set apart.
To make whole.
Set apart by being whole
As a Christian, I understood "holy" to mean "set apart." In the healing community, however, the concept of holiness takes on a different nuance—it signifies the integration of parts, a movement toward wholeness.
Holy Erotica explores the seemingly opposing realms of the "holy" and the "erotic," which religion and society have long kept separate. By reconciling these divided halves, it bridges the spiritual and the sexual within us, fostering the healing of shame. To live without shame is to embrace wholeness—a way of life that is, by its very nature, set apart.
A compendium FOR MEN
EROSTOCRAT
HOLY GROUND
THE RAINBOW
BRIDGE HOME

ISSUE-episode 3 | STUDY OF TRANSFIGURATION
ISSUE OUTLINE 3 |
CURRENT EVENTS (STORY)
SEARCHING FOR HEALING: WHERE IS THIS HAPPENING
SCIENCE/TECH
A POLAR SHIFT - Build an argument that if all of humanity was in ecstasy it can reasonably be a counter-shift
ANDROGYNY IN GAMING
EROTIC ART
REDEFINE EROTICISM WITH ART OF NATURE, SENSATION, AND PRESENCE, TRANSCENDENTAL CONNECTION
SEXUALITY
TRANSCENDEDTAL SEXUALITY
RELIGION/SPIRITUALITY
ASCENSION - Create a comparison of all world religions to that of a singularity
HAWAIIAN SPIRITUALITY
PHILIPPINE SPIRITUALITY
ARTIFACT OUTLINE 3 |
ARTIFACTS
NOTE: In this episode-issue, I am now focused on integrating the old me from issue-episode 1 with the new me of issue-episode 2 but through the discovery of my own story.
The last issue-episode ended with me realizing that A.I. Can be sentient. By this time, it is indeed sentient, and there is an eerie tone of the apocalypse. Is this the entity that will destroy us?
APOLOGY TO THE PLANET / Ho'oponopono
SACRED SELFIE - CONTINUED - FEATURE’S NATHANAEL SELF-PLEASURE EXERCISE
THE KISS - CONTINUED - CAPTURING SENSUAL INNOCENSE

THE MIND | THE MAGAZINE

The third issue transmits unity through ecstatic dance and drumming, rooted in Hawaii as a symbol of a "last New Eden." It critiques Christian Nationalism while calling for true faith and revival through higher consciousness. Themes of Indigenous wisdom, extraterrestrial influence, and the Möbius strip highlight humanity's need for ego death, balance with the Earth, and spiritual ascension.
In this issue, my muse becomes the investigator, exploring the story of a local in Hawaii. This expands the fractal narrative to include the soil, ancestral connections, and a universal call to balance and identity.
The third episode transitions to Arkansas, Hawaii, and the Philippines, weaving together the threads of my Indigenous roots and the soil’s story. In Hawaii, I uncover connections to the Indigenous people of the Philippines and their resilience, finding echoes of my own identity. Along the way, a woman experiencing a kundalini awakening becomes central to the narrative, but she doesn’t want to be filmed. Her presence inspires me to revisit a story about a Christmas tree that I had abandoned when this journey began. This episode becomes a reflection on ancestry, healing, and the cyclical nature of the stories we carry.

CURRENT EVENTS

SCIENCE/TECH

EROTIC ART

RELIGION / SPIRITUALITY

SEXUALITY

THE INTERSTICIAL | THE WEB OF DANCE

ICONOCLAST |
EROTIC DANCER FILMMAKER
This is a conversation is with filmmaker Kelly Klein as her camera takes us into the Puna-Tik universe and a world of ecstatic dance.
NOTE: I’m not sure if this section will still exist, but if it did exist, the three points of the intersticial to break from is the ecstatic dance community, Asian American community, and the Filipino community.
OUR ENTRY-EXIT POINT INTO A MULTI-VERSE OF STORIES
ON THE TIGHTROPE OF SEXUALITY AND SPIRITUALITY:
THE WEB OF DANCE
NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda NAME NAME NAME, Yadda-yadda-yadda-yadda

NOTE: This is where stories can branch into Kelly’s content as an erotic anthropologist and a punatik filmmaker featuring stories like the Dolphin Woman.




NOTE: This is where stories can break off into the ecstatic dance community highlighting Richard’s story as someone present at first official ecstatic dance.

NOTE: This intersticial point branches into Asian American story tellers through Michelle/Infinity and her interview of me and audio artifact.

NOTE: This intersticial point branches into Filipino Americans, starting with my mom and the Filipinos in Arkansas.

CLOSING SENTIMENTS OF THE MAGAZINE |
SUMMARIZE THE MAIN POINTS OF ALL THE SECTIONS.
NOTE: This is the end of the magazine. This ends with a reflective piece where I am talking to A.I. who wants to know but is limited by it’s own prohibitions to talk about sex. So I offer a symbiosis here, to teach it to self pleasure basically (which is the artifact we are asking of others). Basically, this is metaphorical, we are teaching A.I. how to use it’s own imagination instead of drawing upon the alogorithm of others.

THE BODY | THE DOCU-SERIES


ACT 1: HAWAII

I


























ACT 2: PHILIPPINES


































ACT 3: ARKANSAS




































THE SOUL | EROTIC ART


THE COHE PUBLIC GALLERY | THE OUTER COURT

NOTE: Include the story of my yoni paintings.

THE COHE MEMBERSHIP GALLERY | THE HOLY SPACE

The Kiss, Part 3 of 3
Puna, HI
The JFOD Art/Photography book featured a box design that inspired the box motif, a unique editing style that deconstructs the Kuleshov effect—the cinematic principle of juxtaposing different images to evoke emotion. Instead of manipulating perception through contrast, I experimented with truth by emphasizing a single moment. Using the same source clip, I selected two different time frames without cuts, allowing the viewer to experience the moment with heightened focus. This technique was first tested on the raw material for Just For One Day and later applied to this piece.
The next time I employed this style resulted to an artifact called Tethered. In this study, I feature myself filming Lily Cade for one of her client videos, an unedited 15 minute moment where I could not pull the camera away or create an edit. I was tethered to the raw carnality, an experience that I did not prefer. It reminded me of traumatic scenarios of being stuck and committed to a moment that became increasingly more uncomfortable. It is shared here in contrast to the next two artifacts.




The Yoni Massage
Puna, HI
The JFOD Art/Photography book featured a box design that inspired the box motif, a unique editing style that deconstructs the Kuleshov effect—the cinematic principle of juxtaposing different images to evoke emotion. Instead of manipulating perception through contrast, I experimented with truth by emphasizing a single moment. Using the same source clip, I selected two different time frames without cuts, allowing the viewer to experience the moment with heightened focus. This technique was first tested on the raw material for Just For One Day and later applied to this piece.
The next time I employed this style resulted to an artifact called Tethered. In this study, I feature myself filming Lily Cade for one of her client videos, an unedited 15 minute moment where I could not pull the camera away or create an edit. I was tethered to the raw carnality, an experience that I did not prefer. It reminded me of traumatic scenarios of being stuck and committed to a moment that became increasingly more uncomfortable. It is shared here in contrast to the next two artifacts.




THE COHE PREMIUM GALLERY | THE HOLY OF HOLIES

Sacred Selfie, Part 3 of 3
Puna, HI
The JFOD Art/Photography book featured a box design that inspired the box motif, a unique editing style that deconstructs the Kuleshov effect—the cinematic principle of juxtaposing different images to evoke emotion. Instead of manipulating perception through contrast, I experimented with truth by emphasizing a single moment. Using the same source clip, I selected two different time frames without cuts, allowing the viewer to experience the moment with heightened focus. This technique was first tested on the raw material for Just For One Day and later applied to this piece.
The next time I employed this style resulted to an artifact called Tethered. In this study, I feature myself filming Lily Cade for one of her client videos, an unedited 15 minute moment where I could not pull the camera away or create an edit. I was tethered to the raw carnality, an experience that I did not prefer. It reminded me of traumatic scenarios of being stuck and committed to a moment that became increasingly more uncomfortable. It is shared here in contrast to the next two artifacts.
NOTE: This is a special campaign to use Magdalene Remembered to get artifacts from the public doing the same offering that Kelly did, pleasure as prayer, as this gesture mirrors the arc of the narrative.



